Copyright © Designed by MAKSIM WONG & HAIYANG WEN in YANYING Design Studio. 👨🏻💻🧑🏻💻
檐楹®設計事務所於二〇一九年春，由設計師王一超、文海洋在成都創辦，是一間集品牌建設、藝術融合、排版印制為一體的設計工作室，致力於為不同領域的企業、機構或個人提供品牌形象塑造與定制設計服務。
YANYING Design Studio founded in Chengdu, in the spring of 2019 by designer MAKSIM WONG & HAI YANG. YANYING is a design studio who integrates branding, arts and prints as one, providing brand visual creative and custom design services for all companies, institutions and individuals.
◯ 品牌形象識別 Brand Visual Identity ◯ 展覽與活動視覺設計 Exhibition and Event Design ◯ 出版物及印刷品設計 Prints Design ◯ 包裝設計 Packaging Design ◯ 環境圖形設計 Environmental Graphic Design
◯ 2025｜Brand 創意呈現 X Brand Creative Realization X｜入選 ◯ 2024｜成都生活美學大賞 Chengdu Aesthetics Awards｜入選 ◯ 2024｜KTK 設計獎｜入圍獎 ◯ 2024｜第二十屆亞太設計年鑒 Asia-Pacific Design 20｜年度推薦 & 年度收錄 ◯ 2023｜成都生活美學大賞 Chengdu Aesthetics Awards｜入選 ◯ 2023｜第十九屆亞太設計年鑒 Asia-Pacific Design 19｜年度收錄 ◯ 2023｜Brand 創意呈現 IX Brand Creative Realization IX｜入選 ◯ 2022｜成都生活美學大賞 Chengdu Aesthetics Awards｜入選 ◯ 2022｜第十八屆亞太設計年鑒 Asia-Pacific Design 18｜年度收錄 ◯ 2022｜第十一屆「方正獎」設計大賽 The 11th Founder Award｜入圍獎 ◯ 2021｜成都生活美學大賞 Chengdu Aesthetics Awards｜入選 ◯ 2021｜Brand 創意呈現 VIII Brand Creative Realization VIII｜入選 ◯ 2021｜澳門設計大獎 Macau Design Award｜入圍
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◯ 烽火宣言｜抗日戰爭時期四川美術文獻研究展 ◯ DECLARATION AMIDST THE FLAMES OF WAR
時值中國人民抗日戰爭暨世界反法西斯戰爭勝利80週年之際，由成都市美術館主辦的此次展覽以七篇抗戰時期的藝術宣言為核心脈絡，雖源自不同領域，卻均緊扣救亡圖存的時代主題。
在展陳形式上，展覽突破傳統文獻展的靜態呈現模式，採用沉浸式與互動性相結合的設計，有效增強觀眾對歷史的直觀感知與情感共鳴。
On the occasion of the 80th anniversary of the victory of the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War, this exhibition hosted by the Chengdu Art Museum takes seven artistic manifestos from the War of Resistance Against Japanese Aggression period as its core context. Although these manifestos originated from different fields, they all closely focus on the era's theme of saving the nation from peril and ensuring its survival.
In terms of exhibition format, the exhibition breaks through the static presentation mode of traditional document exhibitions and adopts a design that combines immersion and interactivity, effectively enhancing the audience's intuitive perception of history and emotional resonance with it.
時值中國人民抗日戰爭暨世界反法西斯戰爭勝利80週年之際，由成都市美術館主辦的此次展覽以七篇抗戰時期的藝術宣言為核心脈絡，雖源自不同領域，卻均緊扣救亡圖存的時代主題。
在展陳形式上，展覽突破傳統文獻展的靜態呈現模式，採用沉浸式與互動性相結合的設計，有效增強觀眾對歷史的直觀感知與情感共鳴。
On the occasion of the 80th anniversary of the victory of the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War, this exhibition hosted by the Chengdu Art Museum takes seven artistic manifestos from the War of Resistance Against Japanese Aggression period as its core context. Although these manifestos originated from different fields, they all closely focus on the era's theme of saving the nation from peril and ensuring its survival.
In terms of exhibition format, the exhibition breaks through the static presentation mode of traditional document exhibitions and adopts a design that combines immersion and interactivity, effectively enhancing the audience's intuitive perception of history and emotional resonance with it.
Sep. 2025
展覽視覺設計
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展覽視覺設計
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◯ 傳移模寫｜中央美術學院中國畫臨摹教學作品展 ◯ IMITATION AND COPYING MODELS
展覽匯聚了齊白石、葉淺予等名家經典臨本，以及《韓熙載夜宴圖》《山水冊》等歷代名作摹寫。以「典範」「變化」「遺產」「精研」 四大篇章、超兩百件作品，全景呈現臨摹技藝從文化遺產守護到中國畫千年傳承的壯闊歷程。
The exhibition brings together classic copies by renowned artists such as Qi Baishi and Ye Qianyu, as well as reproductions of masterpieces from various dynasties, including The Night Revels of Han Xizai and Album of Landscapes. Through four major sections—"Model", "Variation", "Heritage" and "Meticulous Study"—and over 200 works, it presents a panoramic view of the magnificent journey of copying techniques, spanning from the preservation of cultural heritage to the millennium-long inheritance of Chinese painting.
展覽匯聚了齊白石、葉淺予等名家經典臨本，以及《韓熙載夜宴圖》《山水冊》等歷代名作摹寫。以「典範」「變化」「遺產」「精研」 四大篇章、超兩百件作品，全景呈現臨摹技藝從文化遺產守護到中國畫千年傳承的壯闊歷程。
The exhibition brings together classic copies by renowned artists such as Qi Baishi and Ye Qianyu, as well as reproductions of masterpieces from various dynasties, including The Night Revels of Han Xizai and Album of Landscapes. Through four major sections—"Model", "Variation", "Heritage" and "Meticulous Study"—and over 200 works, it presents a panoramic view of the magnificent journey of copying techniques, spanning from the preservation of cultural heritage to the millennium-long inheritance of Chinese painting.
Jul. 2025
展覽視覺 & 展陳設計
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展覽視覺 & 展陳設計
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◯ 無遠弗屆：A4美術館2008—2023 ◯ NO PLACE IS BEYOND REACH: A4 ART MUSEUM 2008-2023
此文獻冊是對A4美術館從創立到蛻變、從試探到深耕的15年發展歷程的精心整理與深度回顧。全書內容以寄語、對談等文字信息為主，輔以部分歷史配圖，以此聯想將檔案文件的視覺語言融入到本書的排印設計之中。
This Literature Book is a carefully organized and in-depth review of A4 Art Museum's 15 years of development, from its foundation to its transformation, from exploration to deep cultivation. The content of the book is mainly composed of textual information such as letters and dialogues, supplemented by some historical illustrations, thus associating the visual language of archival documents into the typographic design of the book.
Nov. 2024
書籍排印設計
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此文獻冊是對A4美術館從創立到蛻變、從試探到深耕的15年發展歷程的精心整理與深度回顧。全書內容以寄語、對談等文字信息為主，輔以部分歷史配圖，以此聯想將檔案文件的視覺語言融入到本書的排印設計之中。
This Literature Book is a carefully organized and in-depth review of A4 Art Museum's 15 years of development, from its foundation to its transformation, from exploration to deep cultivation. The content of the book is mainly composed of textual information such as letters and dialogues, supplemented by some historical illustrations, thus associating the visual language of archival documents into the typographic design of the book.
Nov. 2024
書籍排印設計
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◯ 宇宙回音 · 鹽田千春 ◯ ANOTHER PLANET｜CHIHARU SHIOTA
A4美術館為全球現象級藝術家「鹽田千春」在中國西南地區舉辦首次個展。主視覺纖長的字體設計呼應藝術家作品中大量使用的「線條」元素。
A4 Art Museum presents the first solo exhibition of global phenomenon Chiharu Shiota in Southwest China. The long and slender typography in the main visual echoes the "line" element used extensively in the artist's work.
Sep. 2024
展覽視覺設計
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A4美術館為全球現象級藝術家「鹽田千春」在中國西南地區舉辦首次個展。主視覺纖長的字體設計呼應藝術家作品中大量使用的「線條」元素。
A4 Art Museum presents the first solo exhibition of global phenomenon Chiharu Shiota in Southwest China. The long and slender typography in the main visual echoes the "line" element used extensively in the artist's work.
Sep. 2024
展覽視覺設計
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